![]() ![]() Unfortunately, these major categories are too broad. Now you know how to classify typefaces into six major categories, which is great! Examples include Freight Display and Abril Fatface. Display typefaces also include ornamentals and decoratives, which can come in all sorts of form and styles. Many display typefaces are serif and sans-serif versions that are specially tweaked to look good at large sizes. Examples include Dancing Script and Lobster.įinally, display typefaces are typefaces that are only used for large headlines. They’re often used for short headlines, invitations and expressive text. Script (or cursive) typefaces are often calligraphic in nature. Examples include Menlo and Monaco.Įach letter in Menlo takes up the same amount of space. They’re often used in tabular data and code. They’re typefaces whose characters occupy the same amount of horizontal space. Monospace typefaces are no strangers to us developers. Garamond has serifs, but they're not blocky. Examples of slab-serifs include Archer and Museo Slab.Īny other typeface that contains serifs fall under the serifs category. Slab-serifs are also called Egyptians even though there’s no relationship between the serifs and Egyptian writing. If the typeface contains serifs that look blocky, they fall under the slab-serif category. Examples of sans-serif typefaces include Helvetica and Gill sans. If the typeface contains no serifs, they fall into the sans-serif category. You can split typefaces into the first three categories by looking at the style of the serif. On a broad level, typefaces can be categorized into the six categories. There’s one prerequisite to use this 3×3 grid (which I will reveal shortly) – knowing how to categorize typefaces. Recently, I discovered a simple method to pair typefaces effectively and I’d love to share them with you. Many people get stuck here, myself included. The act of choosing two typefaces is probably the first (and often most difficult) task you do when creating a new design. ![]()
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